Last day on earth, I can listen to it looped all day. It has such a poignancy to it, especially at the moment. I would put it up there with Brian Eno’s “ascent the ending”. Nigel Chapman
I've wanted this album for a while now. It's hard to go wrong with the work of Eric Skodvin. When combined with Aaron Moore, they make for a strange pair. It's definitely the most concrete I've ever heard Skodvin sound, delivering upon darker jazz-like offerings paired with somewhat gothic electro-acoustic abstractions. The most enjoyable moment for me comes with the clobbering rhythmics found in "Grown Horse". More of whatever that is, please. Lost Tribe Sound